Brainchild of cinematic genius Steven Spielberg, The Goonies is a thrilling fantasy adventure film for younger audiences - although adults will find it enjoyable as well. Foreshadowing the success of the Harry Potter films, The Goonies involves a series of tests and obstacles that a group of young kids must overcome in order to save the day. In a lot of ways, the film is like an Indiana Jones for kids - produced in such a way that kids can envision or fantasize about being in just such a situation.
The film follows the exploits of a neighborhood group of kids who call themselves The Goonies. Upset that they will soon have to part ways because of the forced commercial development of their neighborhood, the kids are enjoying what they believe will be one of their last meetings together.
But while Mikey, Chunk, Mouth, and Data (the nicknames of the Goonies respectively) are exploring Mikey's attic, they find a treasure map hidden in the back of an old picture frame. Purportedly, the map leads to the long lost treasure of the famous pirate "One-Eyed" Willy. Banding together with Mikey's older brother Brandon and two neighborhood girls, Andy and Stef, the group sets out to uncover the pirate's vast riches and thus save their homes from the wrath of the wrecking ball.
But a small problem stands in their way. The treasure map's starting point rests underneath an old abandoned house used as a hideout by the notorious Fratelli crime family. Brothers Jake and Francis, coupled with their deformed yet gentle brother and mean Mama Fratelli, are quite an intimidating force. When the Goonies manage to uncover the entrance to the cave that harbors their treasure, Chunk is left behind. The Fratelli's viciously interrogate the boy in an effort to find out what happened to his friends. But it takes a freak accident (spilled water falling down the hole in the fireplace) before they find One-Eyed Willy's secret passage.
With the Fratelli family hot on their heals, the Goonies must pass through a series of mental and physical obstacles set up centuries before by pirates intent on keeping undesirables away from their precious bounty. Interspersed in the action is a number of clever and humorous one-liners that add to the overall audience enjoyment of the film.
In the end, the kids discover One-Eyed Willy's monstrous treasure. But can they stave off the greedy ambitions of the Fratelli family? Will they manage to save their neighborhood with the newfound treasure? You'll have to watch to find out, and trust me, this movie is a lot of fun…
Each of the stars contributes to the film in his own way. Chunk provides many moments of comic relief with his endless whining, and Data's constant deployment of quirky homemade inventions, although stretching the limits of reality, are a welcome addition to a fantasy adventure film tailored for a young audience.
With the introduction of The Goonies DVD, an entirely new generation can discover the thrill and wonder of this instant cinema classic. Given its wide range of appeal to audiences of all ages and the exciting quest for hidden treasure, The Goonies passes the test as a definite must-see film. If you haven't seen it, or even worse - if your children have been deprived of seeing it - then I highly recommend renting this one…
marți, 27 mai 2008
The Phantom Of The Opera (dvd) Review
Nominated for 3 Academy Awards and 3 Golden Globes, including Best Motion Picture - Musical or Comedy, The Phantom Of The Opera is one of the most talked about movies of 2004. Taking the smash commercial success of Andrew Lloyd Webber's stage production to the big screen is no easy task, but long-time Hollywood director Joel Schumacher is more than able to get the job done. He takes an otherwise poorly written screenplay (minus the awe of a live performance no less) and manages to thrill the audience with the visual aspects of a film chiefly intended to rehash a successful stage musical. The costumes and set are simply magnificent, and Art Director John Fenner (Raiders Of The Lost Ark) helps Schumacher put together a fabulous production that's well worth a movie-goer's time…
The Phantom Of The Opera centers around a mysterious character who dwells underneath the Paris Opera House, imbibing himself on the music that emanates from above. Known as The Phantom (Gerard Butler), he wears a half-mask to cover the hideous facial scars that have plagued him since birth. A musical genius, the phantom is infatuated with the opera, and when he falls in love with the voice of a young chorus girl named Christine (Emmy Rossum - The Day After Tomorrow (2004), Mystic River (2003)), this love of the opera morphs into an outright obsession. The phantom provides Christine with one-on-one voice lessons, while during his spare time, he terrorizes the opera house in an effort to land his protégé the opera's leading role. When Christine finally rises to that position, however, she is reunited with childhood friend Raul (Patrick Wilson), and the two begin a torrid love affair. Vengeful and jealous, the phantom kidnaps Christine and holds her prisoner in his underground lair, and Raul is the only one who can save her…
Onscreen, The Phantom Of The Opera is weak by the standards of a traditional film. The cast does its best to make the most of a screenplay peppered with rigid dialogue - a script designed to sell "the music of the night". The supposed magnetism between Christine and Raul is non-existent and not really believable. As such, the audience is forced into believing that the phantom (who, by contrast, is quite charismatic in this rendition) would end up playing second fiddle to a man who makes Al Gore seem animated. Overall, however, other aspects of the film make up for this flaw…
Based on Gaston Leroux's 1925 novel of the same name, The Phantom Of The Opera loses much of its original edge given the phantom's transformation from a frightening and mangled lunatic to a watered down half-scarred/half-babe-magnet figure complete with likeable characteristics. But inevitably, that's the mark of an enduring franchise - its malleability in the realm of numerous genres and the public's willingness to embrace such changes. But arguably, the small changes in the original novel's plot were necessary to achieve Lloyd Webber's goal of a melodramatic and stirring Broadway musical boasting mass commercial appeal. In a year in which the Oscar nominations were mostly dominated by lower-budget, surprise hit films (such as Sideways, Million Dollar Baby, and Finding Neverland), The Phantom Of The Opera holds its own in many aspects (given its pre-production designation as a commercial success). But those who have not seen the stage version are unlikely to be won over to the ranks of the franchise's numerous fanatics. My advice is to definitely see the film if you've ever seen the stage performance or listened regularly to the soundtrack - otherwise, you might be disappointed. After all, no matter how good The Phantom Of The Opera translates to the big screen, there's a reason musicals are not the dominate genre in Hollywood…
The Phantom Of The Opera centers around a mysterious character who dwells underneath the Paris Opera House, imbibing himself on the music that emanates from above. Known as The Phantom (Gerard Butler), he wears a half-mask to cover the hideous facial scars that have plagued him since birth. A musical genius, the phantom is infatuated with the opera, and when he falls in love with the voice of a young chorus girl named Christine (Emmy Rossum - The Day After Tomorrow (2004), Mystic River (2003)), this love of the opera morphs into an outright obsession. The phantom provides Christine with one-on-one voice lessons, while during his spare time, he terrorizes the opera house in an effort to land his protégé the opera's leading role. When Christine finally rises to that position, however, she is reunited with childhood friend Raul (Patrick Wilson), and the two begin a torrid love affair. Vengeful and jealous, the phantom kidnaps Christine and holds her prisoner in his underground lair, and Raul is the only one who can save her…
Onscreen, The Phantom Of The Opera is weak by the standards of a traditional film. The cast does its best to make the most of a screenplay peppered with rigid dialogue - a script designed to sell "the music of the night". The supposed magnetism between Christine and Raul is non-existent and not really believable. As such, the audience is forced into believing that the phantom (who, by contrast, is quite charismatic in this rendition) would end up playing second fiddle to a man who makes Al Gore seem animated. Overall, however, other aspects of the film make up for this flaw…
Based on Gaston Leroux's 1925 novel of the same name, The Phantom Of The Opera loses much of its original edge given the phantom's transformation from a frightening and mangled lunatic to a watered down half-scarred/half-babe-magnet figure complete with likeable characteristics. But inevitably, that's the mark of an enduring franchise - its malleability in the realm of numerous genres and the public's willingness to embrace such changes. But arguably, the small changes in the original novel's plot were necessary to achieve Lloyd Webber's goal of a melodramatic and stirring Broadway musical boasting mass commercial appeal. In a year in which the Oscar nominations were mostly dominated by lower-budget, surprise hit films (such as Sideways, Million Dollar Baby, and Finding Neverland), The Phantom Of The Opera holds its own in many aspects (given its pre-production designation as a commercial success). But those who have not seen the stage version are unlikely to be won over to the ranks of the franchise's numerous fanatics. My advice is to definitely see the film if you've ever seen the stage performance or listened regularly to the soundtrack - otherwise, you might be disappointed. After all, no matter how good The Phantom Of The Opera translates to the big screen, there's a reason musicals are not the dominate genre in Hollywood…
North And South (dvd) Review
Based on the best-selling novels by John Jakes, North And South premiered as a highly celebrated and critically acclaimed television series in 1985. In the spirit of Gone With The Wind, the novels cover 19th Century America before, during, and after the Civil War. As with the Margaret Mitchell classic, Jakes creates a larger-than-life cast of characters to tell his story of struggle between a Union of States divided on the issues of human bondage and state’s rights, loyalty to one’s nation and loyalty to the state in which one was born, along with innumerable interpersonal conflicts lost in the sands of time… To tell his story, Jakes uses two families, the Hazard family of Pennsylvania and the Main family of South Carolina.
Boasting a star-studded cast, North And South is over 1000 minutes of riveting drama. Multiple discs cover the Civil War era with breathtaking cinematography, realistic settings, and the ever-increasing cauldron of conflict between North and South. You won’t want to miss this truly amazing series.
The North And South DVD covers all three books from the popular series, each a multi-disc set…
Below is a less than comprehensive summary of each book.
(Be Warned that the summaries below contain some plot spoilers)
BOOK ONE – North & South (561 minutes)
Book One of the North And South DVD covers the period prior the Civil War (1844-1860). Eighteen-year-old Orry Main (Patrick Swayze) prepares to leave his South Carolina plantation en route to West Point when he encounters an overturned carriage while leaving town. Aiding the passengers, Orry is introduced to the lovely Madeline Fabray (Lesley-Anne Down) to whom he provides a ride, giving her safe passage to the LaMotte plantation where her father and his friend Justin LaMotte (David Carradine) are waiting. Madeline and Orry agree to write each other while he’s away at West Point.
When Orry travels to New York, he meets up with a group of unsavory characters who try to rob him, but George Hazard (James Read) comes to his aid, and the two manage to fend off the criminals. George is on his way to West Point as well, and the two men strike up a friendship that continues through the duration of their schooling. While at West Point, they collude with others to rid the campus of menacing upperclassman Elkanah Bent (Philip Casnoff). The vindictive cadet vows revenge, and he gets it when George and Orry are placed under his command at a battle during the Mexican War. Bent sends the two men and their comrades into certain death, only to have his plan foiled by a Mexican retreat.
While fighting in Mexico, George meets his future wife Constance Flynn (Wendy Kilbourne). Meanwhile, Orry and Madeline experience a personal hell when Madeline’s father hides Orry’s letters from West Point. Thinking that Orry has forgotten about her, Madeline agrees to marry Justin LaMotte, who treats her horribly. With Orry and Madeline continuing their love affair in secret, George and Orry continue their friendship. The entire Main family, including Orry’s sisters Ashton (Terri Garber) and Brett (Genie Francis) as well as Main cousin Charles (Lewis Smith), travel to Pennsylvania as guests of the Hazard family. While in the North, the Mains are confronted by George’s abolitionist sister Virgilia (Kirstie Alley) and the differences between the North and South dominate the discussion, but George and Orry’s friendship continues unabated as they decide not to discuss such matters.
When the Mains return the favor and invite the Hazards to South Carolina, Virgilia creates a ruckus by aiding in the escape of Grady, a neighbor’s slave. Later, she marries Grady, and the two join John Brown and his freedom fighters. When Grady is killed, Virgilia enlists the help of Congressmen Sam Greene.
Meanwhile, Orry and George start a business partnership by opening a cotton mill in South Carolina. As the secessionist movement gains ground, the two continue to take comfort in the strength of their brotherly bond…
BOOK TWO – Love & War (570 minutes)
Book Two of the North And South DVD covers the beginnings of the Civil War and the war’s conclusion (1860-1865). Despite the growing talk of Southern secession, George and Orry continue to run their cotton mill and remain friends. George and Constance even operate an illegal stop along the Underground Railroad. But when Abraham Lincoln is elected president, the Southern states secede, and eventually war breaks out between the two nations. Orry’s sister Brett is in love with George’s brother Billy Hazard (John Stockwell) who is himself a West Point graduate stationed in Fort Sumter. The war drives Billy far away from his new bride Brett, while Ashton sees the war as an opportunity to profit. Using her husband James Huntoon (Jim Metzler) to climb the ranks of the political circuit, Ashton decides that James is not the best man to serve her interests. She begins a relationship with Elkanah Bent, who is using the war for personal profit by smuggling luxury goods past the Union naval blockade.
Meanwhile, the war tears apart both North and South. George works as an aide to Lincoln, while Orry works in a similar capacity for Jefferson Davis. During the course of the war, Charles meets a Virginia woman and falls in love with her. At war’s end, she bears his child, but dies shortly thereafter. In addition, Justin’s death finally gives Orry and Madeline the opportunity to marry. As the war wages on, it takes its toll on the two families. But despite the obstacles, they endure to the end. At the war’s conclusion, George and Orry are reunited, and the two men vow to work together to rebuild a broken nation.
BOOK THREE – Heaven & Hell (261 minutes)
Book Three of the North And South DVD originally aired in 1994, several years after the first two books aired. With Patrick Swayze now an established star, the character of Orry Main is written out of the television screenplay for the final book. Several other cast members reappear, but the writing deviates substantially from John Jakes’s original novel, creating a plot which fails to make sense. Seeing as how Elkanah Bent died in the previous book, it’s somewhat ludicrous to have him reappear in book three. In addition, the dialogue is often stiff and awkward, the plot uninteresting, and the entire book is not worth viewing. Stick with watching the first two books on DVD.
CONCLUSION
Despite the failure of Book Three to arouse any interest whatsoever, the North And South DVD is more than worth the price for Books One and Two. This is a thoroughly entertaining mini-series reminiscent of a prime time soap opera, one with a historical perspective. With a cast of characters likely to spark viewer fondness, compelling subplots, and fascinating costumes and set design, North And South is an epic of unrivaled quality. Trust me, you won’t be disappointed with the North And South DVD, despite the deficiencies of Book Three…
Boasting a star-studded cast, North And South is over 1000 minutes of riveting drama. Multiple discs cover the Civil War era with breathtaking cinematography, realistic settings, and the ever-increasing cauldron of conflict between North and South. You won’t want to miss this truly amazing series.
The North And South DVD covers all three books from the popular series, each a multi-disc set…
Below is a less than comprehensive summary of each book.
(Be Warned that the summaries below contain some plot spoilers)
BOOK ONE – North & South (561 minutes)
Book One of the North And South DVD covers the period prior the Civil War (1844-1860). Eighteen-year-old Orry Main (Patrick Swayze) prepares to leave his South Carolina plantation en route to West Point when he encounters an overturned carriage while leaving town. Aiding the passengers, Orry is introduced to the lovely Madeline Fabray (Lesley-Anne Down) to whom he provides a ride, giving her safe passage to the LaMotte plantation where her father and his friend Justin LaMotte (David Carradine) are waiting. Madeline and Orry agree to write each other while he’s away at West Point.
When Orry travels to New York, he meets up with a group of unsavory characters who try to rob him, but George Hazard (James Read) comes to his aid, and the two manage to fend off the criminals. George is on his way to West Point as well, and the two men strike up a friendship that continues through the duration of their schooling. While at West Point, they collude with others to rid the campus of menacing upperclassman Elkanah Bent (Philip Casnoff). The vindictive cadet vows revenge, and he gets it when George and Orry are placed under his command at a battle during the Mexican War. Bent sends the two men and their comrades into certain death, only to have his plan foiled by a Mexican retreat.
While fighting in Mexico, George meets his future wife Constance Flynn (Wendy Kilbourne). Meanwhile, Orry and Madeline experience a personal hell when Madeline’s father hides Orry’s letters from West Point. Thinking that Orry has forgotten about her, Madeline agrees to marry Justin LaMotte, who treats her horribly. With Orry and Madeline continuing their love affair in secret, George and Orry continue their friendship. The entire Main family, including Orry’s sisters Ashton (Terri Garber) and Brett (Genie Francis) as well as Main cousin Charles (Lewis Smith), travel to Pennsylvania as guests of the Hazard family. While in the North, the Mains are confronted by George’s abolitionist sister Virgilia (Kirstie Alley) and the differences between the North and South dominate the discussion, but George and Orry’s friendship continues unabated as they decide not to discuss such matters.
When the Mains return the favor and invite the Hazards to South Carolina, Virgilia creates a ruckus by aiding in the escape of Grady, a neighbor’s slave. Later, she marries Grady, and the two join John Brown and his freedom fighters. When Grady is killed, Virgilia enlists the help of Congressmen Sam Greene.
Meanwhile, Orry and George start a business partnership by opening a cotton mill in South Carolina. As the secessionist movement gains ground, the two continue to take comfort in the strength of their brotherly bond…
BOOK TWO – Love & War (570 minutes)
Book Two of the North And South DVD covers the beginnings of the Civil War and the war’s conclusion (1860-1865). Despite the growing talk of Southern secession, George and Orry continue to run their cotton mill and remain friends. George and Constance even operate an illegal stop along the Underground Railroad. But when Abraham Lincoln is elected president, the Southern states secede, and eventually war breaks out between the two nations. Orry’s sister Brett is in love with George’s brother Billy Hazard (John Stockwell) who is himself a West Point graduate stationed in Fort Sumter. The war drives Billy far away from his new bride Brett, while Ashton sees the war as an opportunity to profit. Using her husband James Huntoon (Jim Metzler) to climb the ranks of the political circuit, Ashton decides that James is not the best man to serve her interests. She begins a relationship with Elkanah Bent, who is using the war for personal profit by smuggling luxury goods past the Union naval blockade.
Meanwhile, the war tears apart both North and South. George works as an aide to Lincoln, while Orry works in a similar capacity for Jefferson Davis. During the course of the war, Charles meets a Virginia woman and falls in love with her. At war’s end, she bears his child, but dies shortly thereafter. In addition, Justin’s death finally gives Orry and Madeline the opportunity to marry. As the war wages on, it takes its toll on the two families. But despite the obstacles, they endure to the end. At the war’s conclusion, George and Orry are reunited, and the two men vow to work together to rebuild a broken nation.
BOOK THREE – Heaven & Hell (261 minutes)
Book Three of the North And South DVD originally aired in 1994, several years after the first two books aired. With Patrick Swayze now an established star, the character of Orry Main is written out of the television screenplay for the final book. Several other cast members reappear, but the writing deviates substantially from John Jakes’s original novel, creating a plot which fails to make sense. Seeing as how Elkanah Bent died in the previous book, it’s somewhat ludicrous to have him reappear in book three. In addition, the dialogue is often stiff and awkward, the plot uninteresting, and the entire book is not worth viewing. Stick with watching the first two books on DVD.
CONCLUSION
Despite the failure of Book Three to arouse any interest whatsoever, the North And South DVD is more than worth the price for Books One and Two. This is a thoroughly entertaining mini-series reminiscent of a prime time soap opera, one with a historical perspective. With a cast of characters likely to spark viewer fondness, compelling subplots, and fascinating costumes and set design, North And South is an epic of unrivaled quality. Trust me, you won’t be disappointed with the North And South DVD, despite the deficiencies of Book Three…
Must Love Dogs (dvd) Review
One of the least appreciated films of 2005 is Must Love Dogs, an upbeat romantic comedy about two recent divorcees. Directed and adapted to screen by Gary David Goldberg, veteran TV writer for such shows as MASH and Family Ties, the film offers a number of laughs and very little in the way of strained or forced moments. As usual, John Cusack’s character appears on the big screen as an amicable and enigmatic personality. Cusack and Diane Lane make for a good onscreen pairing, but the script is somewhat lacking in its ability to deliver. Much like Tom Hanks and Meg Ryan in You’ve Got Mail, the concept and the couple are intriguing, but the unmet high expectations leave much to be desired…
Must Love Dogs follows the life of Sarah Nolan (Diane Lane), a recently divorced preschool teacher attempting to move on with her life. Sarah’s sister Carol (Elizabeth Perkins) is constantly nagging her to get out and meet Mr. Right, but her prodding does nothing to animate the borderline depressed Sarah. Nevertheless, Carol’s well-intentioned act of signing her sister onto PerfectMatch.com provides a handful of prospective leads. One of them is a recently divorced woodworking artist named Jake (John Cusack), and the two agree to meet in the park with their dogs. The encounter is a forgettable one, but the two develop a mild attraction to one another.
Meanwhile, Bob (Dermot Mulroney) the father of one of Sarah’s students, develops his own attraction for Sarah, forming a love triangle that leaves Sarah in utter confusion. As Sarah’s widowed father Bill (Christopher Plummer) plays the field with much greater success, it only seems to exacerbate Sarah’s disillusioned outlook. But when one of her father’s new female friends, the likeable and spunky Dolly (Stockard Channing) dispenses some of her own advice on life and relationships, it makes for a more interesting and humorous film. Caught in the lurch between two unknown outcomes, Sarah must choose the relationship that is right for her. But in the course of her hesitation, she risks losing the only relationship of the two which is truly worth her while.
Fun and oftentimes witty, Must Love Dogs has some great scenes and original one-liners. Based on the bestselling novel by Claire Cook, Must Love Dogs will never be confused with a deeply symbolic or Oscar worthy picture, and the plot itself is quite predictable. But the film manages to do the most important job a film can do: entertain. Although it suffers at moments from use of bad dialogue, it’s not a total throwaway film. Like another recent Diane Lane movie, Under The Tuscan Sun, the mandatory gay friend with attractive significant other is present for relationship advice. That’s just one of a variety of overused Hollywood clichés the viewer will encounter, along with the coincidence of Jake meeting Sarah’s father and Sarah’s end-of-the-movie race to embrace Jake, of which I must ask, why couldn’t she just wait until he got ashore? Because it wouldn’t make for a magical romantic movie ending, that’s why. Otherwise, Must Love Dogs is a likeable picture with many funny moments most will enjoy…
Must Love Dogs follows the life of Sarah Nolan (Diane Lane), a recently divorced preschool teacher attempting to move on with her life. Sarah’s sister Carol (Elizabeth Perkins) is constantly nagging her to get out and meet Mr. Right, but her prodding does nothing to animate the borderline depressed Sarah. Nevertheless, Carol’s well-intentioned act of signing her sister onto PerfectMatch.com provides a handful of prospective leads. One of them is a recently divorced woodworking artist named Jake (John Cusack), and the two agree to meet in the park with their dogs. The encounter is a forgettable one, but the two develop a mild attraction to one another.
Meanwhile, Bob (Dermot Mulroney) the father of one of Sarah’s students, develops his own attraction for Sarah, forming a love triangle that leaves Sarah in utter confusion. As Sarah’s widowed father Bill (Christopher Plummer) plays the field with much greater success, it only seems to exacerbate Sarah’s disillusioned outlook. But when one of her father’s new female friends, the likeable and spunky Dolly (Stockard Channing) dispenses some of her own advice on life and relationships, it makes for a more interesting and humorous film. Caught in the lurch between two unknown outcomes, Sarah must choose the relationship that is right for her. But in the course of her hesitation, she risks losing the only relationship of the two which is truly worth her while.
Fun and oftentimes witty, Must Love Dogs has some great scenes and original one-liners. Based on the bestselling novel by Claire Cook, Must Love Dogs will never be confused with a deeply symbolic or Oscar worthy picture, and the plot itself is quite predictable. But the film manages to do the most important job a film can do: entertain. Although it suffers at moments from use of bad dialogue, it’s not a total throwaway film. Like another recent Diane Lane movie, Under The Tuscan Sun, the mandatory gay friend with attractive significant other is present for relationship advice. That’s just one of a variety of overused Hollywood clichés the viewer will encounter, along with the coincidence of Jake meeting Sarah’s father and Sarah’s end-of-the-movie race to embrace Jake, of which I must ask, why couldn’t she just wait until he got ashore? Because it wouldn’t make for a magical romantic movie ending, that’s why. Otherwise, Must Love Dogs is a likeable picture with many funny moments most will enjoy…
Braveheart (dvd) Review
Long before The Passion of the Christ, Mel Gibson directed another cinematic masterpiece, Braveheart. Filmed against the backdrop of majestic mountains and rolling meadows, it tells the historically-based (yet not entirely accurate) story of William Wallace, a common man’s warrior who led the Scottish people in rebellion against King Edward I, also known as “Longshanks”. Written by Randall Wallace, an American tourist fascinated with a Scottish statue of his namesake, the script collected dust in Hollywood for over a decade before Gibson made the brilliant decision to put it on the big screen. Just like The Passion, it’s a decision he would not regret…
Set in the 11th Century, Braveheart catalogues the struggle of Scottish serfs who labor under the brutal oppression of English occupation forces. Amidst these terrible conditions, William Wallace (Mel Gibson) falls in love with Murron MacClannough (Catherine McCormack). Insistent on not sharing his wife (a proclamation by the king gives local rulers “first-night rights” to new brides) Wallace secretly marries Murron. Nevertheless, an English knight assaults her, sparking a fight with Wallace. Fleeing the village, Wallace believes Murron has escaped and will soon meet him at a secret rendezvous point. But Murron is captured and executed by the king’s emissaries.
Angered by his wife’s murder, Wallace instigates a local rebellion, slaughtering all the king’s loyalists in his village. As his rebellion grows, a distraught Longshanks (Patrick McGoohan) dispatches his fabled Northern Army to destroy it. But the heroic Wallace delivers a stirring speech to rouse his men, while deploying an ingenious battlefield trick to defeat the king’s cavalry.
With the power and legend of Wallace growing day by day, Longshanks relies on his daughter-in-law, Princess Isabelle (Sophie Marceau) to broker a truce. But Isabelle’s power is limited, and Wallace realizes his people can only win freedom if backed by the Scottish nobles. Their appointed leader is Robert the Bruce (Angus MacFadyen) who vacillates between his own idealistic views and his father’s pessimistic pragmatism. Will the nobles join with Wallace? Will the Scots win their freedom? Only history tells us the answer…
With elaborate costumes, vivid battle scenes, and a noble hero as its focal point, Braveheart is more than your typical run-of-the-mill action movie. Part history, part Hollywood heroism – its timeless idealism strikes a cord with every viewer. In fact, the movie itself led to a revival in nationalistic pride that fueled the successful Scottish independence movement of the 1990s. It’s a testament to the strength and character of the real life William Wallace. A thousand years later, his enduring legacy continues to transform the European landscape, and Mel Gibson captures the noble warrior’s passion with an awe-inspiring Academy Award-winning masterpiece
Set in the 11th Century, Braveheart catalogues the struggle of Scottish serfs who labor under the brutal oppression of English occupation forces. Amidst these terrible conditions, William Wallace (Mel Gibson) falls in love with Murron MacClannough (Catherine McCormack). Insistent on not sharing his wife (a proclamation by the king gives local rulers “first-night rights” to new brides) Wallace secretly marries Murron. Nevertheless, an English knight assaults her, sparking a fight with Wallace. Fleeing the village, Wallace believes Murron has escaped and will soon meet him at a secret rendezvous point. But Murron is captured and executed by the king’s emissaries.
Angered by his wife’s murder, Wallace instigates a local rebellion, slaughtering all the king’s loyalists in his village. As his rebellion grows, a distraught Longshanks (Patrick McGoohan) dispatches his fabled Northern Army to destroy it. But the heroic Wallace delivers a stirring speech to rouse his men, while deploying an ingenious battlefield trick to defeat the king’s cavalry.
With the power and legend of Wallace growing day by day, Longshanks relies on his daughter-in-law, Princess Isabelle (Sophie Marceau) to broker a truce. But Isabelle’s power is limited, and Wallace realizes his people can only win freedom if backed by the Scottish nobles. Their appointed leader is Robert the Bruce (Angus MacFadyen) who vacillates between his own idealistic views and his father’s pessimistic pragmatism. Will the nobles join with Wallace? Will the Scots win their freedom? Only history tells us the answer…
With elaborate costumes, vivid battle scenes, and a noble hero as its focal point, Braveheart is more than your typical run-of-the-mill action movie. Part history, part Hollywood heroism – its timeless idealism strikes a cord with every viewer. In fact, the movie itself led to a revival in nationalistic pride that fueled the successful Scottish independence movement of the 1990s. It’s a testament to the strength and character of the real life William Wallace. A thousand years later, his enduring legacy continues to transform the European landscape, and Mel Gibson captures the noble warrior’s passion with an awe-inspiring Academy Award-winning masterpiece
The Sting (dvd) Review
Recipient of ten Academy Award nominations and winner of seven, including Best Picture, The Sting is widely lauded as one of the best films ever produced. Written by David S. Ward, whose unorthodox genius has produced such Hollywood hits as Major League (1989), King Ralph (1991), and Sleepless In Seattle (1993), The Sting boasts a superbly well-written screenplay, ripe with perfectly constructed dialogue and a plotline riddled with suspense. Directed by George Roy Hill, who previously teamed with Paul Newman and Robert Redford to produce Butch Cassidy And The Sundance Kid (1969), it paints a colorful picture of 1930s Chicago. Complete with gangsters, card games, illegal gambling, sex, and murder, what else could a movie lover wish for?
The Sting follows the life of a two-bit grifter named Johnny Hooker (Robert Redford). Hooker runs small-time jobs with Luther Coleman (Robert Earl Jones) and Joe Erie (Jack Kehoe). Business is decent until they pull the con of a lifetime on a greedy numbers runner. Hoping for a few dollars, they end making off with several thousand. But Doyle Lonnegan (Robert Shaw), the organized crime boss whose money they stole, places a hit on all three men that results in Luther’s death. Caught in the crosshairs of dirty cop Lt. William Snyder (Charles Durning) and a mysterious hit man (Dimitra Arliss), Johnny follows the advice of his dead mentor and contacts the best conman in the world, Henry Gondorff (Paul Newman), in hopes of becoming his understudy.
Gondorff promises to pull “the big con” (the ultimate score for con artists), and to sweeten the pot, he promises to make the mark Doyle Lonnegan himself. Gathering a star-studded team of con artists, pick-pockets, and grifters, Gondorff and Hooker set out to take Lonnegan for millions. Together, they set up a rival gambling operation in Chicago under the names of Shaw and Kelley. Hooker (a.k.a. Kelley) endears himself to Lonnegan so as to win over the gangster’s trust. Convincing Lonnegan he has friend at the Western Union who can telegraph winning horses moments before a race is reported, Hooker gets Lonnegan to place a series of winning bets at Gondorff’s gambling parlor. Under the impression Kelley’s goal is to break Shaw (a.k.a. Gondorff) and take over his establishment, the two agree to one last bet, with Lonnegan set to place a million dollars of his own money on the line. It’s a bet Gondorff and Hooker intend for Lonnegan to lose… But one problem remains. The FBI is hot on the trail of Gondorff, and they’re determined to break his operation at any cost…
Far ahead of its time, The Sting redefined the Hollywood plot twist with its ingenious organization of multiple subplots. Newman is masterful as the veteran cheat Henry Gondorff, and it’s well worth watching the entire film just to see the scene where he out-cheats the ultimate cheat at cards. With a parade of eccentric characters, well-developed sinister figures, and clever exchanges of dialogue, The Sting isn’t your typical sensationalistic Hollywood potboiler. Like a great novel, the film takes some time to establish its characters and develop its plotline. Patient viewers will be well-rewarded…
The Sting follows the life of a two-bit grifter named Johnny Hooker (Robert Redford). Hooker runs small-time jobs with Luther Coleman (Robert Earl Jones) and Joe Erie (Jack Kehoe). Business is decent until they pull the con of a lifetime on a greedy numbers runner. Hoping for a few dollars, they end making off with several thousand. But Doyle Lonnegan (Robert Shaw), the organized crime boss whose money they stole, places a hit on all three men that results in Luther’s death. Caught in the crosshairs of dirty cop Lt. William Snyder (Charles Durning) and a mysterious hit man (Dimitra Arliss), Johnny follows the advice of his dead mentor and contacts the best conman in the world, Henry Gondorff (Paul Newman), in hopes of becoming his understudy.
Gondorff promises to pull “the big con” (the ultimate score for con artists), and to sweeten the pot, he promises to make the mark Doyle Lonnegan himself. Gathering a star-studded team of con artists, pick-pockets, and grifters, Gondorff and Hooker set out to take Lonnegan for millions. Together, they set up a rival gambling operation in Chicago under the names of Shaw and Kelley. Hooker (a.k.a. Kelley) endears himself to Lonnegan so as to win over the gangster’s trust. Convincing Lonnegan he has friend at the Western Union who can telegraph winning horses moments before a race is reported, Hooker gets Lonnegan to place a series of winning bets at Gondorff’s gambling parlor. Under the impression Kelley’s goal is to break Shaw (a.k.a. Gondorff) and take over his establishment, the two agree to one last bet, with Lonnegan set to place a million dollars of his own money on the line. It’s a bet Gondorff and Hooker intend for Lonnegan to lose… But one problem remains. The FBI is hot on the trail of Gondorff, and they’re determined to break his operation at any cost…
Far ahead of its time, The Sting redefined the Hollywood plot twist with its ingenious organization of multiple subplots. Newman is masterful as the veteran cheat Henry Gondorff, and it’s well worth watching the entire film just to see the scene where he out-cheats the ultimate cheat at cards. With a parade of eccentric characters, well-developed sinister figures, and clever exchanges of dialogue, The Sting isn’t your typical sensationalistic Hollywood potboiler. Like a great novel, the film takes some time to establish its characters and develop its plotline. Patient viewers will be well-rewarded…
The Shawshank Redemption (dvd) Review
Nominated for seven Academy Awards including Best Picture, The Shawshank Redemption amazingly failed to win a single Oscar. It’s amazing because it’s probably one of the top ten best films ever produced. Based on Stephen King’s short story ‘Rita Hayworth and the Shawshank Redemption,’ the film transcends the typical intellectually and spiritually bankrupt Hollywood entertainment of the modern era with an onscreen artistry that is the closest we’ll probably ever see to poetry in moving pictures. With masterful performances by Morgan Freeman and Tim Robbins, audience members will find themselves engrossed in a tragic story wrought with suspense at every turn…
The Shawshank Redemption focuses on the life of Andy Dufresne (Robbins), a prominent banker convicted of murdering his wife and her lover. Sent to Shawshank prison in the summer of 1947, the inmates bet on which of the new arrivals will be the first to crack. Ellis “Red” Redding (Freeman), an institutional fixture and the man who can provide anything for a price, puts his money on Andy. But much to his surprise, Andy doesn’t make a sound…
Over time, Andy and Red develop a close friendship, and Red procures a small rock hammer for Andy. As the years go by, he procures other items as well, the most interesting being Rita Hayworth. Red acquires a poster of the screen siren for Andy, and business continues as usual in Shawshank. Along the way, Andy ingratiates himself with the notorious prison guard Byron Hadley (Clancy Brown) and Warden Samuel Norton (Bob Gunton). Putting his outside skills to good use, Andy provides tax advice and tax preparation services to guards not just at Shawshank, but other prisons as well.
Eventually, in exchange for a comprehensive prison library, he ends up running a massive money laundering operation for Norton leveraging prison labor in exchange for lucrative kickbacks. But all goes awry when Shawshank’s newest prisoner, a young punk named Tommy (Gil Bellows) comes forward with shocking information. Andy, who’s spent twenty years in Shawshank prison, might be innocent after all… The revelation ruins lives and destroys Andy’s prison sanctuary, but it’s Warden Norton and his associates who are ruined when the beautiful pin-up Raquel Welch reveals her hidden secret…
Directed by Frank Darabont, producer of such hit films as The Green Mile (1999) and The Majestic (2001), The Shawshank Redemption is a film of absolute breathtaking perfection that ranks near the top of most lists of the best films ever produced. Thomas Newman’s musical score, reused in countless films in the years since its release, blends together with brilliant casting, memorable screen performance, and masterful set design to create an unmatched and timeless epic. If you haven’t seen The Shawshank Redemption, you aren’t just missing out on a great film, but a great life experience as well. Do yourself a favor and see this movie…
The Shawshank Redemption focuses on the life of Andy Dufresne (Robbins), a prominent banker convicted of murdering his wife and her lover. Sent to Shawshank prison in the summer of 1947, the inmates bet on which of the new arrivals will be the first to crack. Ellis “Red” Redding (Freeman), an institutional fixture and the man who can provide anything for a price, puts his money on Andy. But much to his surprise, Andy doesn’t make a sound…
Over time, Andy and Red develop a close friendship, and Red procures a small rock hammer for Andy. As the years go by, he procures other items as well, the most interesting being Rita Hayworth. Red acquires a poster of the screen siren for Andy, and business continues as usual in Shawshank. Along the way, Andy ingratiates himself with the notorious prison guard Byron Hadley (Clancy Brown) and Warden Samuel Norton (Bob Gunton). Putting his outside skills to good use, Andy provides tax advice and tax preparation services to guards not just at Shawshank, but other prisons as well.
Eventually, in exchange for a comprehensive prison library, he ends up running a massive money laundering operation for Norton leveraging prison labor in exchange for lucrative kickbacks. But all goes awry when Shawshank’s newest prisoner, a young punk named Tommy (Gil Bellows) comes forward with shocking information. Andy, who’s spent twenty years in Shawshank prison, might be innocent after all… The revelation ruins lives and destroys Andy’s prison sanctuary, but it’s Warden Norton and his associates who are ruined when the beautiful pin-up Raquel Welch reveals her hidden secret…
Directed by Frank Darabont, producer of such hit films as The Green Mile (1999) and The Majestic (2001), The Shawshank Redemption is a film of absolute breathtaking perfection that ranks near the top of most lists of the best films ever produced. Thomas Newman’s musical score, reused in countless films in the years since its release, blends together with brilliant casting, memorable screen performance, and masterful set design to create an unmatched and timeless epic. If you haven’t seen The Shawshank Redemption, you aren’t just missing out on a great film, but a great life experience as well. Do yourself a favor and see this movie…
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